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撇开《二十四诗品》是否为晚唐诗人司空图所作不论,单就《二十四诗品》这一中国古代文学理论批评的重要著作来做一探讨。《二十四诗品》的诗性朦胧蕴含了广阔的阐释空间和可能性。《二十四诗品》的特点之一,便是其交互性的充分显现:《二十四诗品》的文本本身具有交互性,这既表现在每一品的内部,也表现在各品之间;诗歌作品可以用《二十四诗品》做交互性的阐发,主要表现在不同的品可以用来解释同一首诗歌方面;《二十四诗品》是中庸与开放交互性生成的杰构,展现了既定与不定、古典与现代、本土与世界的贯通。
Regardless of whether “Twenty-Four Poems and Articles” is the result of the novels made by the late Tang Dynasty poet Sikong, we only discuss the important works of “Twenty-four Poems and Articles” which is the theoretical criticism of ancient Chinese literature. The poetic haze of “Twenty-Four Poems” contains a vast space for interpretation and possibility. One of the characteristics of Twenty-four Poems is its full realization of interactivity. The text of Twenty-Four Poems is itself interactive, which manifests itself both within each product as well as within each product Poetry works can be used “Twenty-four poems” to do interactive analysis, mainly in the different products can be used to explain the same piece of poetry; “Twenty-four poems” is the golden mean and open interaction generated Jie Structure, showing the established and uncertainty, classical and modern, native and the world through.