当前研莫里森的小说《爱》可以被解读为一步恶作剧式小说;恶作剧式小说图式具有意义含混性,不确定性,以及谈论越轨者为其主要特征;上述特点在《爱》中得到了充分的体现;《爱》延续莫里森对单声部叙述的小说创作观念的颠覆;小说中的女性人物朱尼尔/朱妮尔加入了莫里森式的恶作剧者派拉特和秀拉的行列;作为作家的莫里森本人在创作小说的过程中本人成为了修辞层面上的恶作剧者,她娴熟地玩弄语言和言语于鼓掌中,小说中充斥大量的矛盾修辞来彰显“爱”这个字眼的多义性。 The current study of Morrison’s novel “Love” can be interpreted as a step-by-step prank-type novels; prank-type novel schema has the meaning of ambiguity, uncertainty, and talk about deviance as its main features; the above characteristics are obtained in “Love” “Love” continues Morrison’s subversion of the concept of novel creation described by Mono; the female figure in the novel, Junil / Junel, joins the Morrison-style prank artist Pratt and Sau As a writer, Morrison himself became a prankist on the rhetorical level during her novels. She skilfully manipulates the language and speech in her applause, and the novel is full of contradictory rhetoric to show her love "The word polysemy.