两个世纪之前摄影技术的发明随即引发了绘画之死的讨论,这种风气在这两百年间阴魂不散。然而,绘画艺术却从未甘心被静静埋没在历史当中—它要么暗示着自己不断通向重生的循环过程,要么只不过是一个过于哗众取宠的死亡宣告。与此同时,绘画的实践作为一种媒介,却变得前所未有的多样化——它的实践者能适应并且影响他们所置身其中的美学、社会以及技术语境,并在其中寻找自我。策展人叶德晶的“亲爱的画家”就期望通过绘画的线性 Two centuries before the invention of photography triggered the discussion of the death of painting, the atmosphere of the two hundred years was lost. However, the art of painting has never been willing to be buried quietly in history - either implying that its continuous reincarnation cycle is merely an over-granddaughter’s death declaration. At the same time, the practice of painting as a medium has become more diverse than ever before - its practitioners can adapt and influence the aesthetic, social and technological contexts in which they are located and find themselves in them. Curator Ye Dejing “Dear Painter ” is expected to pass the linear painting