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罗叔子是辽宁历史上的重要篆刻家,也是中国中国印学界的代表人物。其印学理论和篆刻时间均取得了显著的成就。然而,关于罗叔子的研究多集中在其篆刻创作和人生方面,有关罗叔子印学理论和篆刻创作方面的研究仅仅局限于黄惇的《无华盦印存》跋语、孙洵的相关文章等,数量很少,研究深度显然不够。为此,本文站在罗叔子篆刻艺术的取法角度展开研究,目的在于清理罗叔子篆刻艺术独特的师法方式和独特的艺术观念,为当代印坛提供借鉴。
Luo Shizi is an important seal in Liaoning history, is also a representative of China’s Indian ink painting industry. The Indian theory and seal cutting time have made remarkable achievements. However, most of the research on Lo is focused on its seal cutting and life. The research on Lo Yu-chi’s theory of printing and seal cutting is confined to the articles of " , A small number, the depth of the study is clearly not enough. For this reason, this paper starts from the perspective of taking Robertson’s art of seal carving as an example, with the purpose of cleaning up the unique method and unique artistic concept of Rooseuch’s carving art and providing references for the contemporary Indian art circles.