论文部分内容阅读
百戏是秦汉时期乐舞杂技表演的总称,汉代又称为“角抵戏”。它上承夏代乐舞,周代的散乐,下启魏、晋、唐以降各代的戏曲、乐舞、杂技艺术。它的兴起冲破“礼乐”的束缚,抛弃了僵化的庙堂歌舞,代之以活泼新鲜的民间歌舞等,是深受民间大众欢迎的表演艺术。“绿色二人转”是与近年来内容及表演低俗的黄色二人转相对而言的,是对二人转摒弃“低俗”进入“雅俗共赏”的认可和欣赏。可以说:绿色
Hundred opera is Qin and Han dynasties music and dance acrobatic performances in general, the Han Dynasty, also known as “corner arrived at the opera.” It carries on the music and dance of the Xia Dynasty and the music of the Zhou Dynasty. It starts with the opera, dance and acrobatics of various generations in the Wei, Jin and Tang Dynasties. Its rise broke through the shackles of “ritual music”, abandoned the rigid temple song and dance, replaced by lively and fresh folk song and dance, is popular with the public popular performing arts. The “green duo” is in contrast to the vulgar yellow duo in recent years whose content and performance are vulgar. It is the recognition and appreciation of the duo’s turn of abandoning “vulgar” into “elegance and vulgarity”. Can be said: green