曾经有那么一个不断困扰我的问题,那就是摄影这种艺术形式的特点是记录,如何摆脱对于忠实记录的机械理解,去拓展,对摄影本质实现艺术创新?作为当代摄影师“忠实地”记录下社会问题之后,意义何在呢?是交给他人解决吗?是摄影师的责任到此为止了吗?洛伦兹教授靠窗站着,一个闪亮的轮廓,雪白的头发,看不很清晰的面孔。课间时分,我们几个学生站在那里跟她闲聊着,大部分内容我已经记不清了,但有那么一个不长的 There was such a constant problem that plagued me that the characteristic of photography in this art form was recording, how to get rid of the mechanical understanding of faithful records, expanding, and realizing the artistic innovation of the nature of photography? As a contemporary photographer, “loyally ”After recording the social problems, what is the point of significance? Is it for others to solve? Is it the responsibility of the photographer to stop here? Professor Lorentz stands by the window with a shiny outline, white hair, Very clear face. Between classes, several of our students stood there chatting with her, most of the content I can not remember, but there is a not so long