现在在影视领域里遨游一番,突出地感到上海又被重视了。 我们常常在一些影视片中看到上海的标志性的建筑,包括外滩对面浦东那高耸的东方明珠塔。 如果说过去热点镜头是对准塔的这一边的外滩的欧式建筑的话,那么现在更多地是把江那边作为表达上海的典型背景了。 其实,一江划开了两个时代,一个代表着过去,一个代表着未来,闪回过中国人古已有之的“三十年河东,三十年河西”的辩证理解,颇令人兴思古之幽思,添时光如过隙之怅恫, 上海及其背景在影视镜头中的重新发现,其本质反映了都市剧的兴起。 一度时期,上海的影视作品领导着中国影视的潮流。查阅电影史料,像八十年代初,是凡比较出名的电影大多是上海出品的。有时,年度金鸡、百花奖尽数被上海电影制片厂摘走,像《巴 Now in the field of film and television travel some, prominently felt Shanghai has been taken seriously. We often see some of Shanghai's iconic buildings in some films, including the towering Oriental Pearl Tower in Pudong opposite the Bund. If the past hot lens is aimed at the Bund on the tower side of the European-style buildings, then now is to use the Jiang side of the typical background to express Shanghai. In fact, one Jiang drew two eras, one representing the past, one representing the future and flashback to the dialectical understanding of “three decades of Hedong and three years of Hexi” that the Chinese ancient had existed. Nostalgia of the nostalgia, add time as the gap of the melancholy, Shanghai and its background in the film and television in the rediscovery, its essence reflects the rise of urban drama. For a time, the film and television works in Shanghai led the trend of Chinese film and television. Check the movie historical data, like the early eighties, is where the more famous movie produced mostly in Shanghai. Sometimes, the annual Golden Rooster, Hundred Flowers Awards were all taken away by the Shanghai Film Studio, like "Pakistan