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一、写意花鸟的繁荣与笔墨的抽象性形式青藤白阳开创的写意花鸟画在晚明获得巨大的发展并不是一个偶然的开端。由于人物画不可避免的要为描绘对象写真服务,所以对画家的艺术自由的限制必然是最强的。而山水画由于一直以来是“天人合一”的文化观念下的“道-艺”二元统一的艺术思维的产物,具有强大的传统势力和高度成熟的审美定势,在形式上难以迅速的顺应时代的要求而发展出新的形式语言系统,无法直接体现和表达具有历史使命感的艺术家们的敏感和灵魂,与当时已经
First, the flourishing of freehand flowers and birds and the abstract form of ink and brush The freehand flower and bird painting pioneered by Ivy Yang in the late Ming Dynasty is not a fortuitous start. Since portraits inevitably have pictorial services for pictorial objects, the restrictions on artist’s freedom of art must necessarily be the strongest. Landscape painting has always been a product of the dualistic artistic thinking under the cultural conception of harmony between man and nature. It has strong traditional forces and highly mature aesthetic tendency. In the form of It is difficult to quickly adapt to the requirements of the times and develop a new formal language system that can not directly reflect and express the sensibility and soul of artists with a historic mission.