《论语·雍也篇》载:“子曰:‘知者乐水,仁者乐山。知者动,仁者静。知者乐,仁者寿。’”儒家学派以山水比德,因此,山水自古就成为人们竞相表现的对象:在宣纸上描摹山水即为山水画,在空间中营造山水则为园林。中国山水画与古典园林在传统文化的滋养下生根发芽,长成两棵相互独立但枝叶相互缠绕的参天大树,并各自开出绚丽的花朵。也正是因为同根同源,中国传统的造园思想与中国山水画理论有许多相通之处。 “The Analects of Confucius Yong article” contains: “Confucius said: ’Know who Leishui, benevolent Leshan. Know who move, benevolent. Know the music, benevolent life.’ ” Confucianism than landscape, therefore, landscapes since ancient times It has become the object of competing performance: landscape painting on rice paper that is landscape painting, in the space to create landscapes for the garden. Chinese landscape painting and classical gardens take root and germinate under the nourishment of traditional culture. They grow into two independent trees with their branches and leaves intertwined with each other, each opening a flowery flower. It is also because of the same root of roots that there are many similarities between Chinese traditional garden theory and Chinese landscape painting theory.