我们选择用“笔、墨、纸、砚”等工具进行绘画创作,也就是认同了它对于作品所具有的规定性,这种规定就是作品是以国画(水墨画)而不是其它艺术形式作为结果的。中国的传统笔墨在几千年的发展中是一个不断程式化和完美化的过程,注意,它只是过程而不是结果,只承认已有的笔墨规范和程式才是传统,或认为它是不可侵犯和扬弃的,无异于给国画这一画种可能的探索和发展判了死刑。这样就会把“传统”定义成历史的、概念的和不可逾越的代名词,也会否定那些充满智慧和情感的探索者以及他们作品应有的价值。 二十世纪前,笔墨的发展演变一直是在一个较为封闭的环境里发生的。每个时代,艺术 We choose to use “pen, ink, paper, ink” and other tools for painting, that is, it recognizes the provisions of the work, this is the work is based on Chinese painting (ink painting) rather than other forms of art as a result . The traditional Chinese ink and brush in the course of thousands of years is a process of continuous stylization and perfection. Attention should be paid to the fact that it is a process rather than an outcome. It only admits that existing ink norms and procedures are traditional or that they are inviolable And abandoned, is tantamount to sentenced to death for the probable exploration and development of the traditional Chinese painting. This defines “tradition” as synonymous with history, concept, and impassability, as well as devaluation of those who are full of wisdom and emotion, and the worth of their work. Before the twentieth century, the development of ink and wash had always taken place in a more closed environment. Every age, art