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对儒、道、释圆融相通的本体进行阐述,对中国艺术精神因时而变的现象予以揭示,并提出中国艺术精神的发展规律。
It elaborates the ontology of harmony between Confucianism, Taoism and Buddhism, reveals the changing of Chinese artistic spirit from time to time, and proposes the law of development of Chinese artistic spirit.