在李斯特众多的钢琴作品中,表现手法独特,艺术特色鲜明,极具个人特征,在他的这首《第二叙事曲》中可见一斑。这首《b小调第二叙事曲》是在他定居魏玛后,大约在1848年开始写作,并在随后的年代里逐步完成直至出版。本文选取他较少被人关注的《第二叙事曲》为研究对象,窥探李斯特创作该作品时所运用的一些创作手法,为这一作品的诠释演绎提供一些参考。 Among Liszt’s numerous piano compositions, his unique performance, distinctive artistic features and personal characteristics are evident in his “second narration”. The first “b minor second narrative” began writing about 1848 after he settled in Weimar, and was gradually completed until later in the publication. This article chooses “second narrative song”, which is less concerned by people, as the object of study, and tries to find out some of the creative techniques that Liszt used to create the work, providing some references for the interpretation of the work.