帕拉柴斯基式诗学文艺思想的“自我”呈现出不止一个的形象,这些“自我”呈现的多个形象都无一例外地指向作者心理层面的一致性。帕氏的奇幻寓言《佩雷拉法典》塑造的“青烟人”是一个30年来以烟供给自身营养的身材矮小的奇人,他向人们讲述了“轻”的哲学,国王借此委他以重任——颁布法典。然而,佩雷拉面临一个没有办法整合自己身份、做完整自己而不分裂的困惑,在将自我统一在王国人们给他的充满光环的“轻”之新文化代表的“我”与三十年来在烟囱里生活做世外人的“我”的过程中,总是有一段不可逾越的距离,佩雷拉选择了消失。 There are more than one image of “self” in Parasitsch’s Poetic literature and art thought. All of the images presented by these “selfs” all point to the author’s psychological consistency without exception. Papas’ fable Fables The “Green Man”, created by the Code of Perrelax, is a short, curious man who supplied himself with tobacco for 30 years. He told the people about the philosophy of light, He entrusted him with the task of promulgating the code. However, Perera faces a confusion of ways in which he can not integrate his identity and make himself complete without division. In the “I”, a new cultural representative of the “aura” of people who have given him his own self-reliance in the kingdom, In the process of “I”, who lived outside in the chimney for thirty years as an outsider, there was always an insurmountable distance and Pereira chose to disappear.