吴昌硕在篆刻中使用的独门功夫很多:钝刀硬入,是刀法;竖线界格,是章法;独创残破之法;字法喜用墨点。下面就说一说其印中的墨点。在缶翁的印作里,墨点随处可见,所以,吴氏印风具有浓厚的“墨意、墨趣、墨气”。不仅用得多,且用得用心,已到了出神入化的境地。就说墨点之形状,多彩多姿:似滴似溅似洒,似圆似方似弧,大如团小如珠、动如滚球静如凝露……“石人子室”是吴老最有名的印作之一。就其结字来说,四个 Wuchang Shuo in the seal used in a lot of unique Kung Fu: blunt knife hard into, is the knife method; vertical line of the grid, is the law; original broken method; Let’s talk about the dots in the ink. In the Ching Weng’s works, ink spots can be seen everywhere, so Wu’s Indian style has a strong “ink, ink, ink”. Not only used much, but also hard to use, has come to supercilious situation. Said the shape of the ink dot, multicolored: like drops like splashed like sprinkling, like a circle like a square like arc, as large as a ball beads, moving as a ball static as condensation ... ... “Stone man room” It is one of Wu’s most famous prints. In its concluding words, four