中国电影目前存在两个问题:不会讲故事,价值观传递混乱。不是制作成本大小的问题,而是创作太过于急功近利。以制作取代创作,以票房利益主导下的明星、场面、热点话题作为电影的讨论点,永远走不出怪圈。而在滕华涛的作品中,从电视剧《双面胶》《蜗居》《裸婚时代》,到电影《失恋三十三天》,他一直含而不露地 There are two problems in Chinese movies at present: they can not tell the story and the values ​​are chaos. It is not a question of the size of the cost of production, but creation is too quick success. To create a substitute for the creation of the box office under the star-dominated interests, scenes, hot topics as the movie’s discussion point, never walk out of the vicious circle. In Teng Huatao’s works, from the TV series “double-sided adhesive” “dwelling” “naked marriage” to the movie “Lovelorn thirty-three days”, he has been without exception