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也许没有其它绘画或造型艺术像版画这样对技术有强烈的依附性,以致若自己没有技术能力或借他人的技术帮助便无从进行版画创作。可以说一部版画史便是一部印刷技术史。而揭开技术创新更迭的表象往下看,便会发现那其实是一部版画艺术观念发展史。克罗齐说,一切历史都是当代史,历史由一个个当下的在场构成,这与佛教中有关世界的本质有类似的看法,我们只存在于刹那瞬间,每个瞬间造
Perhaps no other painting or plastic arts are as strongly dependent on technology as printmaking, so that no printmaking can be done without the technical ability or technical assistance of others. It can be said that a print history is a history of printing technology. The unveiling of the appearance of technological innovation and change shows that it is actually a history of the development of the concept of printmaking art. Croce said that all history is a contemporary history, history is composed of one presence at present, which is similar to the nature of Buddhism in the world, we only exist in an instant, every moment