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从先秦“雨雪霏霏”的大雨到明清“风雨潇潇”的浓雨上下历经两千余年,“雨”意象的描述无不浸透着诗人的浓情意绪。至唐宋“雨”意象的挖掘可谓到了登峰造极之地步,然明清“雨”意象的多姿多态,却也让人吟咏不尽。明清作家往往用点滴之笔墨绘出“雨”之无限情思,让它们在古典诗词的舞台上尽情发挥其艺术作用。
From the pre-Qin “rain started falling rain,” the heavy rain to the Ming and Qing Dynasties “rainy and rainy” rainy ups and downs after more than two thousand years, “rain ” image description are all saturated with the poet’s affectionate mood. To the Tang and Song Dynasties “Rain ” image of the excavation can be described as the point where the peak, however, Ming and Qing “rain ” image of the diversity, but also make people chant endless. Ming and Qing dynasty writers often draw the infinite emotions of “Rain ” by using a few drops of ink and let them play their artistic roles on the stage of classical poetry.