西元的《死亡重奏》(《钟山》2015年第一期)称得上是一篇优秀的战争小说,它的主题和战争一样,都是死亡。抗美援朝战争中,一个连队坚守阵地等待援军的故事,人在阵地在,这在中国的战争故事中本很常见。但《死亡重奏》对死亡的描写与叙述,不仅具有场面的惨烈感,而且具有死亡的纵深感。死亡重奏,因此具有了巨大的审美意义。“死亡”在西元这里似乎已脱尽了兴亡沧桑,隔离开了人伦情感,主体化、人格化了;正因为如此,死亡背后的兴亡 The “Death Squirt” of the West (“Zhongshan” 2015) is regarded as a fantastic war novel whose themes are just as dead as the war. During the War to Resist US Aggression and Aid Korea, a company stuck in a position to wait for reinforcements and people were on the ground. This is very common in China’s war stories. However, the description and narration of death by “Death Squirt” not only have the tragic feeling of scenes, but also have the sense of depth of death. Death, therefore has a huge aesthetic significance. “Death ” seems to have gone away from the vicissitudes of vicissitudes in Xidian, isolated the sentiment of human relations, subjectivity, personalization; Because of this, the rise and fall behind death