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处于生态困境中的文学迎来了“读屏”的时代,开始了与计算机网络的亲密接触。网络文学是一种用电脑制作、在互联网上传播、供网络用户浏览或参与的文学。对于网络文学本质的探讨,必须关注依赖技术发展而在传播中崭露头角的网络这一媒介。关于网络文学的是是非非已成为人们关注的焦点。本期专栏的三篇文章,其一认为网络的出现使受众从传统大众传播媒介的桎梏中解放了出来,文学的自由性得到了充分的彰显,但网络文学仍须遵循文学自身的创作和发展规律;其二认为网络文学作为民间文学的一种新样式,具有强烈的民间性诉求,并且注入了新的时代特色和民间情调;其三认为形形色色的创作软件作为技巧的变革者,已在观念层面对艺术创作产生了深刻影响,但网络时代新生艺术未必注定与“灵光”无缘。
The literature in ecological predicament ushered in the era of “reading screen”, and started the close contact with the computer network. Internet literature is a kind of literature that is made by computer, spread on the Internet and browsed or participated by Internet users. For the discussion of the essence of cyber-literature, one must pay attention to the medium which depends on technology development and emerges in communication. What is right and wrong about online literature has become the focus of people’s attention. One of the three articles in this issue of the column found that the advent of the Internet has freed audiences from the shackles of traditional mass media and the freedom of literature has been fully demonstrated. However, it is still necessary for Internet literature to follow the creation and development of literature itself Second, they think that internet literature, as a new style of folk literature, has strong civil appeal and infuses new characteristics of the times and folk customs. Thirdly, it thinks that all kinds of creative software, The level of art has had a profound impact, but the art of the new era of the Internet era may not be destined to “Emmanuel ” missed.