这里我所谈的演员修养与斯坦尼斯拉夫斯基的演员自我修养不尽相同 ,斯氏论著主要分解研究演员在创作中的内外部技术 ,令演员能够有法可循地进行角色创作 ,而本文谈论的则主要是演员创造素质的陶治。是一种非技术性的创作功力的聚焦。一、演员是热爱生活的人“热爱生活”包括包 Here I talk about the actor training and Stanislavsky self-cultivation is not the same, Smith’s work mainly in the decomposition of the artist’s internal and external creative skills, so that actors can rule the role of creation, and this article Talking about the main actor is to create quality pottery. Is a non-technical focus of creative skill. First, the actor is a life-loving person “love life” including the package