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现代水墨正是在西方现代艺术观念的冲击和中国传统文人画日渐衰落的背景下产生的。但是矫枉过正,只强调观念,并以观念统帅和支配现代水墨的“实验”和创作,等于落入西方艺术阐释观念的陷阱,这种强调观念与传统文人画过于强调文学性趣味性同样偏狭,都太过于相信人类自身的思考力与智慧,忽略了宇宙自然天地万物的无限丰富性和生命力,尤其忽略了创造这万物生命并使它们长久放射出耀眼光采呈现出灿烂诗意的原动力,即我们人类时时都能感知却无法描述,更无法理解的神奇巨大的超自然动力。因而,也就丧失了由此孕育的艺术语言的无限自由无比丰富的活力。水墨艺术作为一种语言,具有超越物质表现的直接性,仅以最为精简的意象和枯湿浓淡的笔触符号、空间节奏竟可以对应
It is against the background of the impact of Western modern art concept and the decline of Chinese traditional literati painting. However, overconformism, emphasis on concepts, and “experiment” and creation dominated by concept and modern ink and wash are equal to falling into the trap of interpreting concepts in western art. This emphasis on conception is as narrow as the traditional literati painting emphasizing the literary interest It is too much to believe that human beings’ own thinking and wisdom ignore the infinite richness and vitality of all things in the natural world of the universe. In particular, they neglect the motive force that created the life of all things and made them shine for a long time. Can be perceived from time to time but can not describe, but can not understand the magical huge supernatural power. As a result, the vitality of the infinite freedom of the art language thus conceived is greatly diminished. As a language, ink art has the directness of surpassing material expression. Only with the most simplistic image and the wet brush strokes, the rhythm of space can actually correspond to