一、中国画现当代色彩观念的产生和认知现代色彩观念萌芽于近代。对色彩问题的重新重视,早在清末民初画家的作品里就有体现。在晚清海禁大开、西方经济和文化纷纷侵入上海的情况下,为适应新兴的商业都市文化审美趣味,先后生活在上海的画家“三任”、赵之谦、蒲华、吴昌硕等,他们在人物画和写意花鸟画中使用浓艳鲜丽的色彩,成功地融合了色彩与水墨的关系,开创了雅俗共赏的新画风。早期“三任”中的任熊、任薰,人物和花卉以淡色为主,画风 First, the contemporary Chinese painting concept of color generation and cognition Modern concepts of color sprouted in modern times. The renewed emphasis on color issues has been reflected in the works of painters in the late Qing Dynasty and the early Republican period. In the late Qing Dynasty banned the opening of the sea, the Western economy and culture have invaded Shanghai case, in order to adapt to the emerging business culture and urban aesthetic taste, has lived in Shanghai, the artist “three Ren”, Zhao Zhiqian, Pu Hua, Wu Changshuo so that they The use of bright colors and vivid colors in figure paintings and freehand flower and bird paintings successfully merged the relationship between color and ink and wash, creating a new style of painting that tastes elegant and popular. Early “Ren Ren ” in any Xiong, Ren Xun, characters and flowers mainly in light colors, style