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在北京所出现的“宋庄艺术家群落”现象,当代艺术家们自觉下放乡村是源于对城市以及对现代社会的不适应而产生的集体逃逸首先,在写下这个题目的时候,我很想感谢近年来敲锣打鼓弄得满街都知道的创意产业,不是这个词汇在报端一再出现,恐怕没有几个人知道我们的当代艺术家们活在哪里。人们可能在很多个地方都曾领略过当代艺术的风采,不过当代艺术家的生活总是披着一层神秘的色彩不被整个社会知晓。直到798、宋庄这些地名一再出现在有关创意产业的媒体报道中,就连很多自诩是老北京人的人们也才第一次知道原来北京有这么多当代艺术家,他们在这个信息社会中找到了一个又一个死角维持着自己的生存。
The “Songzhuang artist community” phenomenon that emerged in Beijing is that contemporary artists deliberately decentralize the countryside due to the collective escape from the city and the incompatibility with modern society. First of all, at the time of writing this question, I am very I would like to thank the creative industries that have been known in recent years for making gongs and drums all over the street. It is not this word that appears repeatedly at the newspapers. Few people know where our contemporary artists live. People may have had the taste of contemporary art in many places, but the life of contemporary artists is always covered with a mysterious color that is not known to the community as a whole. It was not until 798 that these names of Songzhuang appeared again and again in the media coverage of the creative industries. For the first time even many self-immolated Beijingers knew that there were so many contemporary artists in Beijing that they were found in this information society One dead after another to maintain their own existence.