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在美术批评的语言环境中,具象绘画和现实主义两个名词往往会交替出现,或被经常重叠使用。前者,是从绘画手法及语言特征出发对绘画风格的分类。后者则是从艺术主张出发,对绘画风格流派的规定。从美术史上看,它被分析为各种不同的特征,比如说真实地反映当时的社会生活,尤其是同情被压迫的下层人民等等。在中国这半个多世纪以来,我认为作为高峰,第一次的代表是王式廓,他以一个真正的革命者的立场出发,以极其真诚的态度表达了农民的苦难和他所认为的与革命
In the linguistic context of art criticism, the two terms of figurative painting and realism tend to alternate or often overlap. The former is the classification of painting style based on the painting technique and language features. The latter is from the artistic proposition, the school of painting style rules. From the history of art, it is analyzed as a variety of different features, such as a true reflection of the social life at that time, especially the sympathy of the oppressed oppressed people. For more than half a century in China, I think as the first peak, the representative of Wang is a royal figure. From a genuine revolutionary standpoint, I have expressed with great sincerity the peasants’ misery and what he believes and the revolution