《中国当代工笔画学会二届大展》于3月1日在中国历史博物馆隆重推出,集中展示了近年来工笔画创作的成绩。3月2日,本刊邀请部分在京美术理论家、画家、编辑、记者近30人召开了“当代工笔画创作研讨会”。会议由本刊副主编夏硕琦同志主持,与会的同志们就当代工笔画创作现状、所面临的问题及发展趋势展开了广泛的讨论。现将研讨会部分同志的发言摘要整理如下: The 2nd Annual Exhibition of Contemporary Chinese Painting Society was grandly launched on March 1 at the Chinese Museum of History with a focus on the achievements made in the production of fine brushwork in recent years. On March 2, we invited some 30 art-theoreticians, painters, editors and reporters in Beijing to hold a seminar on Contemporary Fine Art Creation. The conference was chaired by Xia Shuoqi, the deputy chief editor of the journal. The participating comrades held extensive discussions on the status quo of contemporary fine brushwork creation, the problems it faces and the development trend. The summary of speeches made by some comrades in the seminar is as follows: