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作为中国音乐美学史上的经典命题,“移风易俗,莫善于乐”①语出《孝经·广要道章》,体现了儒家对音乐艺术之政教优势的高度概括与充分肯定,并在东汉初期被正式列
As a classic proposition in the history of music and aesthetics in China, “making a difference from vulgarity and morally engaging in music” expresses the highly summarized and fully affirmed Confucianism’s superiority in politics and education of music and arts. Initially formally listed