本文详细梳理并分析了中国早期电影中的死亡再现,将其看作是特定时代下政治、商业和艺术活动中各种力量相互角力、共同形塑的结果。其真实与虚构之间的复杂张力,为处于社会转型之下的普通观众创造了一个身体训练和情感宣泄的公共空间,也为我们理解当时银幕的现代性和民族国家话语提供了新的视角。 This paper details and analyzes the death reappearance in early Chinese films as a result of mutual wrestling and co-molding of various forces in political, commercial and artistic activities under a specific era. The complex tension between reality and fiction created a public space for physical training and emotional catharsis for the general audience under the social transformation. It also provided a new perspective for us to understand the modernity of the screen and the language of the nation-state at that time.