论文部分内容阅读
关于短篇小说文体,作家迟子建说过这样的话:“短篇小说是一个作家的呼吸器官,它能第一时间捕捉外部世界的风云,它也能最快与读者的内心世界沟通。”2在新媒体盛行,信息咨讯铺天盖地的今天,我喜欢一个作家能够用这样朴素的方式,表达对一种传统文类的感悟和认知。短篇小说作为一种现代文学体式,它的前世是故事和传说。由于这一血缘,尽管这种体式在近代以来经历了诸多变迁,在不同时期经不同作家的有意为之,渗入了相关文体的不同元素,但尤其是故事,始终成为短篇小说读者最普遍也最持久的期待。不过,当下中国的文化和文学处境充满着悖论:一方面是故事太多了,另一方面这太多
As for the short story style, writer Chi Zi Jian said: “A short story is a writer’s respiratory organ. It can capture the external world for the first time and it can communicate with readers’ inner world as soon as possible.” " 2 In the midst of new media and informational information, I like how a writer can express and recognize a traditional genre in such a simple way. Short stories as a modern literary style, its past life is the story and legend. Because of this blood, although this style has undergone many changes in modern times, at different times by different writers intentionally infiltrated the different elements of the relevant style, but especially the story, has always been the most common and most popular short story readers Long-lasting expectations. However, the cultural and literary situation in present-day China is full of paradoxes: on the one hand there are too many stories and on the other hand too many