中国陶瓷艺术的发展,到明代出现一次高峰,在陶瓷发展史上占有突出的位置。特别是景德镇的瓷器烧造业的全面发展,所谓“有明一代,至精至美之瓷,莫不出于景德镇”。明代最突出的成就是彩瓷的进步,堪称中国陶瓷艺园中的一枝奇葩,明代成化斗彩瓷器又是这些瑰宝中璀璨的明珠。明代彩瓷主要有釉上彩、釉下彩,而成化斗彩是釉上彩和釉下彩相结合烧造而成的。清代《南窑笔记》载:用青料画花鸟半体复入彩料,凑其全体,名曰“斗彩”。景德镇方言中把凑在一起均称为“斗”。总之是指多种颜色绘于一起,有争奇斗艳之意,故称斗彩(也称“填彩”、“加彩”)。它的特点是用釉下青花料在胚胎上勾勒纹样 The development of Chinese ceramic art came to a peak in the Ming Dynasty and occupied a prominent position in the history of ceramic development. In particular, the overall development of porcelain burning industry in Jingdezhen, the so-called “Ming and Qing Dynasties, to fine the United States, not without Jingdezhen.” Ming Dynasty’s most prominent achievement is the progress of colored porcelain, called China’s ceramic art garden in a wonderful work, the Ming Dynasty Chenghua fighting color porcelain is the jewel in these bright pearl. The Ming Dynasty Cai mainly glaze color, underglaze, and Chenghua bucket color glaze color and underglaze color combination of firing. Qing Dynasties “South Tianyu Notes” contains: Use green material to draw flowers and birds half body into the paint, get together all, called “bucket color.” Jingdezhen dialect in the get together are known as “bucket.” In short, refers to a variety of colors painted together, contested the meaning of fighting, so called bucket color (also known as “fill color”, “plus color”). It is characterized by underglaze blue and white outline of the pattern on the embryo