中国传统水墨艺术在向当代艺术样式转型的过程中,必然会遇到诸多问题,实验水墨作为其一分支和先锋代表,首当其冲。最初实验水墨往往给人以错觉,认为其割裂传统,表现出西方文化对本土文化的冲击与侵袭,而这正是由于一些艺术家对西方艺术的态度——不分良莠,直接拿来挪用与沿袭,只是换了一种表达媒介的做法所致。还有一种观点,是认为实验水墨在形式语言上体现了一种视觉的冲击力,这种冲击力不是单单的冲击 Traditional Chinese ink art is bound to encounter many problems during its transformation to the contemporary art style. Experimental ink painting, as a branch and pioneer representative, will bear the brunt of it. The initial experimental ink and wash often give the illusion that its tradition of fragmentation, showing the impact of Western culture on the impact of local culture and invasion, which is precisely because of some artists to Western art attitude - regardless of good and bad, directly used to misappropriate and Lineage, just a change of media practices. Another view is that the experimental ink in the formal language embodies a visual impact, this impact is not a single impact