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作为新感觉派文学运动的骁将,横光利一在1925年4月发表的短篇小说《园》中试图突破传统文学的表现框架,大胆地运用象征性的艺术手法,利用数理公式提高文学表现力,加深文学内涵,将科学精神与文学艺术有机地结合在了一起。本论文试从分析《园》中的艺术手法出发,结合《园》的创作背景以及新感觉派成立前后的日本社会的现状,重点分析日本新感觉派提倡的文学理念以及艺术手法的内涵。
As a neo-sensualist literary movement, Yokogawaga tries to break through the expression frame of traditional literature in his short story Garden published in April 1925. He boldly uses symbolic artistic techniques and uses mathematical formulas to improve literary expression. Deepen the connotation of literature, combine scientific spirit with literature and art organically together. Based on the analysis of the artistic techniques of “Garden”, this thesis attempts to analyze the literary concepts advocated by the Japanese New Sensation School and the connotation of the artistic techniques in combination with the creative background of “Garden” and the status quo of Japanese society before and after the establishment of the New Sensation School.