随着改革开放的不断深入,中国又重新崛起,经济总量已排名世界第二,自卑崇洋已一百多年的中国人的自信心在逐渐恢复。尽管崇洋仍在崇,自卑仍在自卑,但毕竟开始转向,政府也开始倡导中国文化以为国人立足之本,文化界国学之风也起来了。在这股“回归中国”的风气中,唯洋是从的中国美术界也想回归中国,想回归中国美术的精神核心。但中国美术的精神核心是什么呢?一个颇有影响的倡导出现了——重归写 With the continuous deepening of reform and opening up, China has risen again, the total economy has ranked second in the world, and the self-confidence of the Chinese who have esteemed inferiority for more than 100 years has been gradually restored. Although the worship is still Chong Chong, low self-esteem is still inferior, but after all, began to shift, the government began to advocate Chinese culture that people based on this, the cultural atmosphere of Chinese learning also up. In this “return to China” culture, the Chinese art circles that rely only on foreign cultures also want to return to China and want to return to the spiritual core of Chinese fine arts. But what is the core of Chinese art’s spirit? An influential advocacy emerged -