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进行绘画题材的研究是与自身的个性语言发展所分不开的,在某种特定时期,特定展览中的创作,不同的绘画题材,反映出一幅作品的精神和意义会有所不同。少数民族题材的绘画不仅反映了作者在作品中所要表达不同时代的社会现象,也反映了不同时期少数民族地域性历史文化的演变。背景目前,中国绘画的多元化现象以借鉴与学习国外先进技术和文化为前提,以学习和回归本土文化为现象,中国绘画艺术发展将面临更大的挑战。而少数民族题材绘画作为中国美术的重要组成部分,它的内容因反映少数民族地区特有的地域性、民族性和宗教情结而具有感
The research on the subject of painting is inseparable from the development of one’s own personality and language. At a specific period, the creation of a particular exhibition or different painting themes reflects the difference in the spirit and significance of a work. The painting of the minority nationalities not only reflects the social phenomena that the authors want to express in different periods in their works, but also reflects the evolution of the regional historical and cultural minorities in different periods. Background At present, the phenomenon of diversification of Chinese painting is based on the learning and study of advanced foreign technologies and cultures, and the study and return of indigenous cultures as a phenomenon. The development of Chinese painting will face even greater challenges. As an important part of Chinese art, the subject painting of ethnic minorities has a sense of content because it reflects the unique regional, ethnic and religious complexities of ethnic minority areas