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对现代艺术家来说,最大的未知就是对人类心灵的未知。由弗洛伊德等精神分析学家开启的对人的深层潜意识的大规模研究,给了艺术家以巨大的启发。但是,个人的深潜心理中夹杂着大量偶发性的因素,因此相对来说还缺乏一定的稳定性和普遍性。而在这种深层潜意识学说的基础上,荣格提出了“集体无意识”(既本文所指的集体深层心理的文化积淀)。他认为只有由种族的发展历史沉淀成的深层心理对于艺术创作的心理把握才有研究价值。也就是说,只有立足于对整个民族的集体深层心理的文化积淀的探求,才能够找到观众与戏剧艺术之间达成心灵共鸣的纽带。
For the modern artist, the greatest unknown is the unknown to the human mind. A large-scale, subliminal and unconscious study of humans, initiated by psychoanalysts such as Freud, gave the artist tremendous inspiration. However, personal deep dive psychology mixed with a large number of occasional factors, so the relative lack of stability and universality. On the basis of this deep subconsciousness theory, Jung proposed a “collective unconsciousness” (which is not only the collective psychological accumulation of culture in this article). He believes that only the deep psychology, precipitated by the history of ethnic development, has the research value for the psychological grasp of artistic creation. In other words, only by finding the cultural accumulation of the collective deep psychology of the entire nation can we find the bond between the audience and the dramatic arts.