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抗战时期,熊佛西的抗战热情非常高,他注重戏剧的宣传鼓动作用,并以戏剧为武器参加抗战,撰写了不少关于戏剧宣传鼓动作用的文章。《抗战时期的戏剧》就是其中一篇,这篇文章未能收进其文集,被学术界所忽视。熊佛西从内容、技术、演出三个方面对抗战的戏剧与平时的戏剧进行了区别,强调剧作要感动观众,他认为这样观众才能为抗战尽力。抗战前期熊佛西过于强调戏剧的宣传鼓动作用,甚至为戏剧的公式化辩护,在这种观念影响下,其剧作也存在粗疏之处。抗战后期,他的剧作才有了改观。
During the war of resistance against Japan, Xiong Fusi’s war of resistance was very high. He paid great attention to the propaganda and agitation of the drama, and participated in the war of resistance with drama as his weapon, and wrote many articles on the role of the drama propaganda and agitation. “Drama in the War of Resistance Against Japan” is one of them. This article failed to collect its collection and was ignored by academics. Xiong Fuxi from the content, technology, performance three aspects of fighting the war drama and the difference between the usual drama, emphasizing the drama to move the audience, he believes that such viewers can do their best for the war of resistance. In the early days of the War of Resistance Against Japan, Bears Foxy placed too much emphasis on the propaganda and agitation of drama and even defended the formulation of drama. Under the influence of this concept, there was also a crudeness in his plays. After the war of resistance, his play only changed.