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晋宋之交的诗坛可谓群星璀璨。其中,大诗人陶渊明的横空出世似乎是一个异术。他堪称魏晋古朴诗风的集大成者,自然平淡的风格与当时诗风有些格格不入。湛方生虽然名声不显,但他的诗歌着实是陶渊明诗歌产生的先声。有了他的出现,陶渊明便不再是突兀的文学史现象。近年来,关于湛方生诗歌的研究渐多,然而这些研究多是着眼于二人诗歌气类相投的方面,似不够全面。在这篇文章中,我除了论述陶渊明与湛方生的共通之处,更着重于二人诗歌内容与风格方面的疏离之处,力求完整。
Poetry circles at the turn of Jin and Song can be described as bright stars. Among them, the poet Tao Yuanming turned out to be an alien. He called the ancient poetry of the Wei and Jin poetic master, the natural style of the plain and the poetry at the time of some alien. Although his fame is not obvious, Zhan Fangsheng’s poetry is indeed the forerunner of Tao Yuanming’s poetry. With his appearance, Tao Yuanming is no longer an abrupt phenomenon of literary history. In recent years, there have been more and more studies on Zhan Fansheng’s poems. However, most of these researches focus on the similar congenial aspects of the two poems, which are not comprehensive enough. In this article, apart from discussing the similarities between Tao Yuanming and Zhan Fangsheng, I lay stress on the alienation of the content and style of the two poems and strive to be complete.