论文部分内容阅读
18~19世纪间,伴随着殖民主义的兴起和扩张,殖民文化传播者以居高临下之势将欧洲文化带到了亚非拉各洲。差不多就是在这样的文化背景中,现代钢琴被介绍到了中国。在此之前,史料所记载的意大利传教士利马窦献琴给万历皇帝、清康熙皇帝学弹“西洋铁丝琴”,讲的都是现代钢琴的前身——古钢琴。 显然,要探寻20世纪早期的中国钢琴音乐及其后近50年的发展脉络,必须从创作、演出活动、教学等方面切入。 19世纪到20世纪初,在澳
During the 18th and 19th centuries, along with the rise and expansion of colonialism, colonial and cultural communicators brought European culture to all continents in Asia, Africa and Latin America at an all-time high. Almost in this cultural context, modern piano was introduced to China. Prior to this, the Italian missionary recorded in the historical data Ricci donated to the Emperor Wanli, Emperor Qing Emperor Kangxi learn to play the “Western piano”, is about the predecessor of modern piano - the ancient piano. Obviously, to explore the development of Chinese piano music in the early 20th century and its development over the past 50 years, we must start with creation, performance activities and teaching. From the 19th century to the early 20th century, in Australia