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《爱的泉源》故事时间长度为一年半,但在叙述中,叙述者并没有完全沿着叙事虚构作品以时间为主导的叙述传统的老路走,而是削弱时间功能,创建一种对映体结构形态处理故事情节的发展和人物的行动,把生活化的琐碎事件组合为文本的有机部分。文章从空间对映体、人物对映体、事件对映体的建立所凸显的内在意义来剖析《爱的泉源》的对映体结构形态处理技巧。
The story of “The Source of Love” lasted for a year and a half. However, in the narrative, the narrator did not go completely along the old path of time-led narrative tradition in narrative fiction, but rather weakened the function of time and created a kind of mapping The structure of the body deals with the development of the plot and the actions of the characters, and combines the trivial events of life into the organic parts of the text. The article analyzes the enantiomeric structure and morphological processing skills of “Fountain of Love” from the internal significance of the establishment of space enantiomer, character enantiomer and event enantiomer.