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在远古时代 ,西方女性裸体形象强调的是性崇拜 ,中国强调的则是生殖崇拜 ,带有明显的血缘内涵。奴隶社会的古希腊 ,性崇拜在当时特定的大文化背景下 ,理所当然地演变为对于人体美的迷恋和创造 ,使人体艺术得以发展和繁荣 ;非常强调宗法观念和血缘继承关系的中国古代 ,则本能地反对“伤风败俗”、“诲淫诲盗”的人体艺术。西方非常注重人体形式美的塑造 ,并力图通过人的形体美去显现人的内在美 ;中国却非常注重人物神韵的传达和人伦的鉴识 ,甚至可以在“离形得似”中实现对审美理想的追求。西方绘画经历了人体画———有风景的人体画———有人体的风景画的演变过程 ,人体美是其中不可或缺的元素 ;中国绘画发展到南北朝时 ,由于受到玄学的深刻影响 ,很快便进入到山水风景画的成熟期 ,人体画没有得到充分发展。如此 ,造成了中西人体艺术的巨大差异
In ancient times, Western nudity emphasized sex worship, and China emphasized reproductive worship with obvious bloodline implications. Ancient Greece, sexual worship in slave society under the specific large-scale cultural background of the time, of course, evolved into fascination with the beauty of the human body and creation, so that body art can be developed and prosperous; very important in ancient China, patriarchal concept and blood inheritance relationship, the instinct To object to “defeat the vulgar”, “obscene evil” the body art. The West attaches great importance to shaping the beauty of human form and seeks to reveal the inner beauty of human beings through the physical beauty of human beings. China attaches great importance to the transmission of human beings’ rhyme and understanding of human relations, and can even achieve the goal of aesthetic ideal The pursuit of Western painting has undergone body painting --- landscape painting --- human body landscape painting evolution process, the human body is one of the essential elements of beauty; the development of Chinese painting to the Northern and Southern Dynasties, due to the deep influence of metaphysics, Soon into the landscape of landscape painting maturity, body painting has not been fully developed. So, caused a huge difference between Chinese and Western body art