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近年,受市场竞争和后现代主义思潮的影响,国产恐怖艺术作品呈现泛恐怖化的创作倾向。主要表现为恐怖意象日常化、现实恐惧狂欢化、二元对立系统瓦解、恐怖的麦当劳化等特征。这些作品无形中消解了“虚拟”与“现实”间的界限,暗示了暴力在解决问题时的重要程度,误导受众对现实生活的判断,易滋生迷信。因此,直面问题、理性批评,有助于提升国产恐怖艺术作品的思想价值和创作水平,促进我国通俗文化的健康发展和文化事业的繁荣。
In recent years, under the influence of the market competition and the post-modernist ideological trends, domestic horror works of art have shown pan-terrorist creative tendencies. Mainly manifested in the daily image of the horror, carnivalization of the real fear, disintegration of the binary opposition system, terrorist McDonaldization and other characteristics. These works virtually dissolve the boundaries between “virtual ” and “reality ”, suggesting the importance of violence in solving problems, misleading the audience to judge the real life, and easily breeding superstition. Therefore, facing problems and rational criticism can help raise the ideological value and creative level of the domestic horror works of art, and promote the healthy development of popular culture in our country and the prosperity of cultural undertakings.