自80年代中叶以来,随着大众文化传媒的普及和深入,人们的观赏趣味呈多元化发展趋向,使戏剧失去了过去的一统天下,陷入了重重危机之中,新剧种吉剧亦未能幸免。吉剧怎么办?出路在哪里?焦躁、苦闷、彷徨,而又无可奈何。谁能妙手回春?谁能力挽狂澜?一次又一次的“吉剧战略研讨”,连篇累牍的大块文章,出主意,想办法,开药方……以 Since the mid-1980s, with the popularization and deepening of popular culture media, people’s viewing tastes have been diversified. As a result, the drama has lost its past domination and is in a state of great crisis. The new opera genre Kyrgyzstan has also failed to Spared How to do Kyrgyzstan play? Where is the way out? Irritability, depression, Wandering, but helpless. Who can turn the tide? Who can turn the tide? Again and again, “Ji drama strategy seminar,” a long list of articles, ideas, think of ways to prescribe ... ... to