凤翔雍城战国秦遗址出土了许多动物纹圆瓦当,有鹿纹、獾纹、虎燕纹、夔凤纹、鱼一纹、四兽纹、斗兽纹等。这些动物形象以当时狩猎中常见的动物为刻画对象,反映了先秦时狩猎活动的兴盛。秦人建国以前,是一个以游牧狩猎为主的部落,而游牧民族往往喜欢将动物作为崇拜对象加以描绘刻画,我国北方草原地区的岩画即反映了这一点。《诗经.秦风.驷驖》、石鼓文的《车工》、《田车》等篇章记述了秦公出措的场景。而先秦的匠师们却将这些动物形象生动地刻画在建筑的瓦当上。雍城出土的动物瓦当,采取自然的写实手法,造型生动逼真,自由奔放。构图上无界格,无分 Fengxiang Yongcheng Warring States Qin site excavated a lot of animal-shaped round tile, deer pattern, badger pattern, tiger Yan pattern, Feng pattern, fish pattern, four animal pattern, fighting animal pattern. The animals were portrayed as animals commonly found in the time hunting, reflecting the flourishing hunting activities during the pre-Qin period. Before the founding of the Qin people, it was a tribe mainly based on nomadic hunting. Nomadic herdsmen often like to portray animals as objects of worship. This is reflected in the petroglyphs of northern China’s grassland. “The Book of Songs. Qin Feng. 驷 驖”, Shigu’s article “turner”, “Tian car” and other chapters described the scenes of Qin Gongchuang action. The pre-Qin craftsmen vividly portray these animals in the tile of the building. Vantage unearthed in Yong City, take the natural realistic approach, modeling vivid, free and unrestrained. Composition without boundaries, no points