书法是一种文化,是一种包含了文学精神和诗意情怀的文化形式,而且,这种文化形式在表现美感的时候往往遵循着自然天成和不刻意而作的艺术准则。自从有了书法,这些审美因素就一直浸渍其中,而这样的因素也在深情地滋养着书法艺术,使其具有一种宽博和厚重的气息,并能在数千年的发展历程中长盛不衰,不断掀起表现主义的高潮,成就经典名作,产生艺术巨匠。然而,近三十年来,中国书法的发展却严重偏离了发展轨道,进入追求形式、模仿跟风的状态中,速度成为艺术追求中的唯一主题,中国书法在这样的追求中陷入恶性循环:展览引导学习和审美,学风和审美催 Calligraphy is a kind of culture, which is a kind of cultural form that contains literary spirit and poetic sentimentality. Moreover, this kind of cultural form always follows the artistic principle of natural and unintentional expression in expressing aesthetics. Since the calligraphy, these aesthetic factors have been immersed in them, and such factors are also affectionate nourishment of calligraphy, so that it has a broad and thick atmosphere, and in the course of thousands of years of growth Not bad, continue to set off the climax of expressionism, achievements of classic masterpieces, art masters. However, in the recent three decades, the development of Chinese calligraphy has seriously deviated from the development track. In the state of pursuing and imitating the trend, speed has become the only theme in the pursuit of art. Chinese calligraphy has plunged into such a vicious cycle in such pursuit: exhibition guide Learning and aesthetic, style and aesthetic reminder