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在当前戏剧商业化的倾向比较严重,而有些同志在这种歪风邪气面前束手无策,甚至“忍痛”屈从的时候,《谁是强者》的演出是很有意义的。这个戏既无新、奇、怪,又不谈恋爱,而以尖锐的思想内容,严肃的艺术态度,受到广大观众热烈的欢迎。可见群众是有鉴别能力的,革命的话剧传统仍有着深厚的社会基础。它的成功除了由于艺术家可贵的胆识外,还有一些艺术创作经验值得研究。我想,《谁是强者》所以受到观众的欢迎,至少是由于在艺术创作中取得了这样三点成就:一、通过真实而深刻的描写,提出了一个关系“四化”建设与国家前途,为千百万群众所关注并有切身之感的主
In the current commercialization of drama is more serious, and some comrades in the face of this unhealthy fallacies, or even “reluctantly” submissive, “who is the strong” performance is very meaningful. The show is neither new, strange, strange, nor fall in love, but with sharp ideological content, serious artistic attitude, by the general audience a warm welcome. It can be seen that the masses are capable of discrimination and the revolutionary tradition of drama still has a profound social foundation. Its success, apart from the valuable courage of artists, there are some artistic creation experiences worth studying. I think that “who is the strong” is therefore welcomed by the audience, at least because of three accomplishments made in the artistic creation: First, through real and profound description, it proposes a relationship between the “four modernizations” and the national future , The Lord who pays close attention to millions of people