本期选择的三位声音艺术家,在创作上彼此之间并无明显的关联性和延续性。但声音作为一种可以具有多种可能性的感官传递方式,也会因思想架构的不同而在有限的媒介中表现出更强的可塑性。如劳瑞·安德森的“冰上二重奏”和约翰·凯奇的“加料钢琴”同是使用乐器来完成艺术家对于声音的理解和干预的,但最终所呈现出的结 The three sound artists selected in this issue have no obvious connection and continuity in creation. However, as a way of sensory transmission that can have many possibilities, sound can also show greater plasticity in a limited medium due to its different ideological frameworks. For example, the “Duet on Ice” by Larry Anderson and John Cage’s “Piano Piano” use the same instrument to accomplish the artist’s understanding and intervention of the sound, but eventually the knot