建筑批评,作为理论与实践的桥梁,始终助力于思想的发展与创造的精进。我国建筑批评起步较晚,尚未形成开放的氛围与成熟的体系。受制于社会上“重实业轻人文”的风气与豪情冲天的大规模建筑实践,以及中文语境下人情社会对“批评”二字的拒斥、追求“短平快”和“娱乐至上”的媒体话语机制,加之艺术创造内部天然反对阐释与评价的趋向、批评理论与方法论的贫瘠,媒体平台上充斥着大量精心包装的设计说明与流 Architectural criticism, as a bridge between theory and practice, has always helped in the development of ideas and the refinement of creativity. China’s architectural criticism started late, yet it has not yet formed an open atmosphere and a mature system. Subject to the social “heavy industry light humanity ” atmosphere and pride of large-scale construction practice, as well as the Chinese context of human society on “criticism ” of the word rejection, the pursuit of “short and fast” and The media discourse mechanism of “entertainment supreme”, combined with the tendency of natural opposition to interpretation and evaluation within art creation, criticism of the theory and methodological barren, the media platform is filled with a large number of elaborately packaged design instructions and flows