利用数字技术处理图像的新一代艺术家,往往自己就是自己作品的主人公,他们一次又一次地粉墨登场,总是不厌其烦。传统的自画像,多是艺术家的自我形象的理想化表现,或者是强化艺术家这个身份形象的结果。然而,这些新一代艺术家,却在他们的作品中,或是让自己以不幸的青春期恶作剧者,以及幻想的青春期受害者的角色出现;或是前进一步,突破年轻心理和生理需求的界限,表现自我被限制的分裂人格。 The new generation of artists who use digital technology to process images often themselves are the protagonists of their own works, and they are constantly on the stage of their own appearances and always take the trouble. Traditional self-portraits are mostly the ideal manifestation of the artist’s self-image, or the result of strengthening the artist’s identity. However, these new generations of artists appear in their works, or in their role as unfortunate adolescent pranksters and adolescent victims of fantasy, or as a step beyond the boundaries of young mentality and physical needs, Self-restrained split personality.