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所谓绘画中的“变”也有创新的含义,为什么要变,应怎样变?恐怕不仅是中国画的作者,也是许多美术界同行所关心探讨或在尝试实践的课题。而在整个中国绘画的发展进程中无时无刻不存在着“变”。
The so-called “change” in painting also has the meaning of innovation. Why it should be changed is not only the author of Chinese painting, but also the topic that many fine arts colleagues are concerned about or trying to practice. In the course of the development of Chinese painting all the time there is no “change”.