丁善德先生于1950年创作了钢琴作品《第一新疆舞曲》,曲中采用了分裂重组重复固定音型的伴奏形式,其创作手法大胆创新。关于固定音型这种复调素材的专门研究目前在知网可以检索得到的文献较少,在演奏过程固定音型有两种截然不同的演奏方法,我们应该对其有一个准确的判断,以便在演奏的过程中实现对音乐的合理解构和重构。 Mr. Ding Shande created the piano “The First Xinjiang Dance” in 1950 with the accompaniment of splitting and rewriting repetitive fixed patterns, and his method of creation is bold and innovative. At present, there are few literatures that can be retrieved from CNKI. There are two different methods of playing fixed-sound patterns in the performance process. We should have an accurate judgment on it In the process of playing music to achieve a reasonable deconstruction and reconstruction.