18世纪末至19世纪初,法国大提琴家达到了与德国人(他们接替了意大利人的领先地位)同样的演奏标准。各国演奏家形成了明显的个性风格,德国的演奏家以其高度发展的左手技术和饱满的音色而著称;而法国人偏爱优雅,例如路易十五和十六的宫廷音乐,在声音的特性上受到维奥蒂(Viotti)的强烈影响,他是法国小提琴演奏学派的意大利创始人。 From the late 18th century until the early 19th century, French cellists achieved the same performance standards as the Germans, who took over the Italian leadership. The performers of various countries have developed a distinctly personal style, with German performers well known for their highly developed left-handed techniques and full timbre; while the French prefer elegant court music such as Louis XV and XVI to the sound characteristics Strongly influenced by Viotti, he was the Italian founder of the French violin playing school.